History

John Paul Jones

John Paul Jones captured a British warship in British waters while his own ship sank beneath him. He then became a Russian admiral, died alone in Paris, and was buried in a grave his country subsequently lost. A century later, America found him and made him a national hero. The story needed the gap.

On the night of September 23, 1779, John Paul Jones was losing his ship. The Bonhomme Richard had been battered by the British frigate HMS Serapis off the Yorkshire coast. British cannon fire had torn through the aging American vessel, guns had been destroyed, fires burned aboard, and water was entering below. When members of his crew called for quarter, the British captain Richard Pearson asked whether the Americans had surrendered.

Jones had not. He maneuvered the Bonhomme Richard alongside Serapis and locked the two vessels together, neutralizing Britain's artillery advantage and transforming the engagement into a brutal close-quarters fight of muskets, grenades, and sharpshooters. Then, in one of the most extraordinary moments of the entire battle, his own allied frigate Alliance fired broadsides into the two entangled ships — including Jones's. Her captain, Pierre Landais, a French officer who despised Jones, may or may not have done this deliberately. Whatever his motive, Jones was now being fired upon by both the enemy and his own squadron. He kept fighting. After hours of brutal combat, Serapis surrendered. The Bonhomme Richard was so badly damaged that the Americans had to abandon her, sailing away in their captured enemy's warship as their own vessel sank behind them. Jones had won by sacrificing the ship beneath him and sailing away aboard the enemy's. In the entire story of the founding era, there is almost nothing quite like it.

John Paul Before Jones

He was born John Paul on July 6, 1747, at Arbigland in Kirkcudbrightshire, Scotland, the son of an estate gardener. He went to sea as a boy, rose rapidly through the merchant fleet, and developed into a capable and ambitious officer. His early maritime career included service aboard vessels involved in the transatlantic slave trade — a part of his biography that fits poorly with later heroic narratives and is sometimes omitted precisely for that reason. It should not be. The eighteenth-century Atlantic economy in which Jones learned to sail was deeply entangled with slavery. That fact belongs in his biography regardless of what came afterward.

In 1773, commanding the merchant vessel Betsy in Tobago, John Paul killed a crewman during a violent confrontation aboard his ship. He maintained he had acted in self-defense during a mutiny. Rather than face prosecution in the British Caribbean legal system, he fled. Somewhere during the next period of his life, John Paul became John Paul Jones. Why he added "Jones" has never been established with certainty — it may have been a common name that provided easy concealment, or a connection to acquaintances in Virginia. Whatever the reason, the name change was the act of a fugitive beginning again. Jones spent the rest of his life building a reputation under a name he had chosen for himself.

The Strategy of Harassment

When the Revolutionary War began, Jones joined the Continental Navy as one of its earliest commissioned officers. He understood immediately that the tiny Continental Navy could never meet the Royal Navy in conventional fleet battle — that fight would be catastrophic and brief. His strategic instinct was different: take the war to Britain's own waters, attack its commerce, raid its coasts, raise insurance rates, panic coastal populations, and force the Royal Navy to divert resources to home defense rather than concentrating entirely on American shores. The approach was asymmetric by necessity and brilliant in design.

In April 1778, commanding the sloop Ranger, Jones led a raid on Whitehaven, England — a port he knew from his youth. The raid did not produce the spectacular destruction he planned; operational problems limited the damage to British shipping. But the psychological effect was real: British coastal towns that had never imagined American forces appearing on their shores suddenly required defending. Jones then captured the British warship HMS Drake off Carrickfergus in a conventional engagement — demonstrating that American forces could not only raid British ports but defeat Royal Navy vessels in British home waters. The combination alarmed Parliament, increased pressure on the Admiralty, and elevated Jones's reputation enormously. He was exactly what Benjamin Franklin needed in Paris: a visible symbol that American naval power was real.

Bonhomme Richard

Jones's most famous command was the Bonhomme Richard — a French-built vessel whose name honored Franklin's Poor Richard's Almanack, a political gesture connecting Jones's naval ambitions to the diplomatic relationship sustaining them. The ship was American in command, French in origin, and multinational in crew. The Naval History and Heritage Command notes that relatively few of the men fighting in Jones's most famous battle were actually Americans; French marines — many of them Irish — played a central role in the fighting. The battle was less "American ship defeats British ship" than a multinational coalition vessel, dependent on French alliance and French support, capturing a British warship in British waters. That is a more accurate symbol of how the Revolution was actually won than the solitary hero legend suggests.

The command structure of Jones's squadron was a fragile coalition held together by politics, personality, and necessity — and it nearly destroyed him before the enemy could. Pierre Landais, captain of the Alliance, had a deteriorating command relationship with Jones throughout the campaign. Their mutual contempt would produce one of the battle's most extraordinary episodes, when Landais brought Alliance into the fight and fired into the two locked ships, hitting the Bonhomme Richard. Whether this was deliberate sabotage or catastrophic incompetence was disputed then and remains disputed. Jones believed it outrageous. Whatever the truth, Jones was fighting an enemy ship, a sinking deck, fires below, and his own allied squadron simultaneously. He kept fighting.

The Famous Words

As the Bonhomme Richard deteriorated, crewmen apparently called for quarter. Captain Pearson heard the cries and asked whether Jones had struck his colors. Here the legend takes over. "I have not yet begun to fight!" is one of the most famous quotations in American military history. It is probably not what Jones actually said. The phrase appeared in a memoir by Richard Dale, Jones's first lieutenant, recalling the battle decades later. Contemporary accounts record a response closer to: "I may sink, but I'm damned if I strike." The exact words remain uncertain. What happened next does not: Jones kept fighting, the ships remained locked together, and after hours of brutal combat and a grenade explosion that tore through the British gun deck, Serapis surrendered. The Bonhomme Richard then sank, carrying the physical evidence of the battle to the bottom of the North Sea.

Ironically, the less polished version may sound more like John Paul Jones. National memory polishes historical figures. The man revealed in Jones's letters and career was direct, profane, and relentlessly ambitious. "I have not yet begun to fight" is magnificent. "I may sink, but I'm damned if I strike" sounds like him.

A Navy Without a Navy

After the Revolution, Congress sold off most of the Continental Navy's remaining vessels. By 1785, the United States effectively had no navy. Jones, the man most associated with American naval achievement, had no American naval command. He spent years unsuccessfully seeking prize money and professional employment. Then, in 1788, he accepted a commission as a rear admiral under Catherine the Great of Russia, fighting the Ottoman Empire in the Black Sea region during the Liman campaign. The decision can appear startling through a modern national lens, but eighteenth-century professional officers regularly served foreign powers when their own countries had no employment for them. Lafayette had done it in reverse. Jones retained his American citizenship while serving as "Pavel Ivanovich Jones" under a Russian empress — a Scottish-born American revolutionary who had become a Russian admiral fighting Turks.

His Russian career lasted barely a year. Court politics, professional rivalries, and a deeply damaging accusation ended it. In 1789, Jones was accused of sexually assaulting a young girl in St. Petersburg. He denied the accusation. The case was politically charged, later biographers have disagreed about the available evidence, and Jones's enemies had clear incentives to destroy him with scandal when they could not defeat him professionally. The available evidence does not permit certainty about what occurred. What is clear is that the accusation damaged Jones severely, his position in Russia became untenable, and he left Russian service permanently. Historical biography should not erase this episode. It should be presented with the epistemic care the uncertainty demands — neither treating a contested historical accusation as established fact nor pretending it did not exist because it complicates a national hero's legacy.

Paris and a Grave His Country Lost

Jones returned to Paris, where his health deteriorated and his financial and prize-money claims remained unresolved. He died on July 18, 1792, at forty-five years old, alone enough that friends and officials had to handle his burial. He was placed in a cemetery for foreign Protestants on the outskirts of Paris. The location faded from memory as the city changed around it. The man who had captured a British warship in British waters and became the most celebrated naval figure of the American Revolution disappeared into an obscure grave his country eventually lost.

More than a century later, in 1905, U.S. Ambassador to France Horace Porter led a search that eventually located what were believed to be Jones's remains beneath layers of later development. The body had been unusually well preserved because it was buried in a lead coffin packed in alcohol. Identification relied on physical measurements, historical records, and comparison with known portraits. The remains were returned to the United States with full naval honors and eventually placed in an elaborate crypt beneath the chapel at the United States Naval Academy in Annapolis. Midshipmen training to become professional naval officers now study near the tomb of the man who spent the Revolution arguing that America needed exactly such a professional officer corps. In death, Jones received the institutional recognition he had pursued in life. The country built the navy he wanted. Then it made him one of its ancestors.

The Ship Sank, the Story Didn't

The Bonhomme Richard did not sail triumphantly home. She sank. The Continental Navy did not evolve seamlessly into today's United States Navy — it disappeared. Jones did not become commander of a postwar American fleet. He became a Russian admiral and died in Paris in a grave his country subsequently lost. Almost every physical institution surrounding his greatest achievement disappeared. The ship. The Continental Navy. The wartime command. What survived was the story — the locked ships, the refusal to strike, the captured warship sailing away from the sinking one.

That survival tells us something about what nations need from their histories. The United States needed a founding naval hero who demonstrated courage under impossible odds, who took the war to the enemy's home waters, who refused to accept defeat when his own ship was sinking. Jones provided that. The gaps in the story — the fugitive origin, the slave trade, the Russian service, the contested allegation, the lost grave — are part of the story too. They are what makes the legend meaningful rather than simply convenient: a gardener's son from Scotland who died alone in Paris, was buried in a forgotten grave, and was eventually placed beneath a military academy that exists in part because of what he demonstrated was possible. The Bonhomme Richard sank. The story did not.

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